ID: 198445
Beschreibung
Deze AJA Kona 3 capturekaart voor Apple en Windows heeft zoveel mogelijkheden dat ik hieronder een deel van de handleiding hebt toegevoegd. Meer info over deze kaart kun je heel makkelijk vinden op internet.
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KONA 3/3x Features
The KONA 3 card supports the popular uncompressed SD or HD formats including 2K and Dual Link 4:4:4 HD-SDI formats. It captures uncompressed 10-bit and 8-bit digital video and 24-bit 48 kHz digital audio in Standard definition (SMPTE 259M), High definition (SMPTE 292M), and Dual Link High Definition (SMPTE 372M).
KONA 3 features include:
SDI, HD-SDI, Dual Link SD and HD-SDI, and HSDL
KONA software plugins and support for third-party applications
AJAs standalone Machina capture/playback software
Native support for uncompressed DPX, Cineon, TGA, TIFF, BMP, YUV, and AVI and QuickTime files
Support for 2K frame formats
Support for Cineform 3D playback with left/right stereoscopic output on separate outputs
Look Up Table support (LUT)
4-lane PCI-express bus interface (KONA 3) or PCI-X 133 interface (KONA 3x)
Broadcast-quality hardware 10-bit up-convert, down-convert and cross-convert.
12-bit HD component and SD component/composite analog output
16-channel SDI embedded audio and 8-channel 48/96 kHz AES audio
RS-422 machine control
Cables standard, K3-Box breakout optional
Dual Link
KONA 3 supports Dual Link 4:4:4 HD-SDI. KONA 3 Dual Link supports full-bandwidth 4:4:4 RGB at 10-bits (12-bit capable) for 1080i, 1080p, and 720p formats. KONA 3 can also convert between 4:4:4 and 4:2:2 formats for Single Link HD-SDI output.
KONA 3 Workflow
The KONA 3 path allows you to go straight from telecine to disk with 2K media eliminating the steps of using tape stock and then digitizing those tapes for the nonlinear editor. KONA 3 capture from 2K telecine directly creates 2K DPX, QuickTime, Cineon, AVI, TGA, TIFF, or BMP files. Material can be played out at 2K via HSDL (High Speed Data Link) at 15 fps. KONA 3 allows 2K files to be viewed on HD 1080 24P-supported video monitors. This 1080 HD playout can also be down-converted to SD in realtime, giving the 2K DI pipeline a solution for multi-format video playout of 2K material. By generating 2K files directly from a Telecine in a multitude of file formats and bit- depths, you have files available for use on any system and at any stage in production. A colorist, effects artist, and editor can immediately use the files. KONA 3 supports any popular uncompressed SD or HD format, including Dual Link and 2K and captures and plays back uncompressed 10-bit and 8-bit digital video. KONA 3 also of 10-bit broadcast-quality featureshardware-based up-, down-, and cross-conversion to and from HD.
KONA 3 is available in two models. KONA 3x uses the PCI-X 133 interface while KONA 3 is a 4-lane PCI-express bus card. The two cards are identical in features and video and audio connections and use the same optional K3-Box breakout box.
Broadcast-quality Conversion
KONA 3 features full 10-bit, broadcast-quality, SD-to-HD up-conversion, HD- to-SD down- conversion, SD and HD cross-conversion, and automatic HD/SD 12-bit component analog output. The quality is identical to AJAs stand-alone products and all functionality is hardware-based making it available all the time on digitize or playback. KONA 3 offers hardware-based 1080-to-720 or 720-to-1080 cross-conversion further streamlining dailies and deliverables creation at true broadcast picture quality in realtime. For maximum flexibility, hardware-based aspect ratio conversion can be applied to standard definition capture and output.
Video + Key SDI output
This feature is available on the output settings in Machina, After Effects, and Premiere Pro. To use Video + Key, set the SDI-1 Output to Video + Key (V) or Video + Key (K). The SDI-2 then output automatically changes to the complimentary setting.
Note: Video + Key is limited to 8-bit RGBA files.
KONA 3 Audio
KONA 3s extensive audio support makes installation simple, working with 8-channel 24-bit 48 and 96 kHz AES audio via XLR (balanced) connections, and 16-channel embedded 24-bit SDI/HD-SDI audio (capture and playback). KONA 3 also features high-quality input sample-rate conversion on AES inputs, which eliminates the need for audio source synchronization.
KONA 3 I/O
KONA 3 offers two HD/SD SDI inputs and outputs and a component analog output, each independently switchable between HD and SD (SD analog can be configured as composite). For example, if you are working in HD, you can have simultaneous HD-SDI, SD- SDI, and HD or SD component analog output. Using KONA 3s always-available format conversion features, monitoring can be as simple as a single composite monitor for both SD and HD projects. Dual Link can be monitored via Dual Link HD-SDI outputs, Single Link HD- SDI, or HD component analog. When you plug in KONA 3s breakout cables they automatically configure. For SDI video, the card features two HD/SD inputs and two outputs for Single or Dual Link, one connection for Genlock input, and three for HD/SD component analog video out. Also included is a 9-pin D connector for RS-422 machine control. The SDI inputs and outputs use a separate cable with special mini-BNC connectors on one end and full-size BNCs on the other for ease of connection and superior reliability. The K3-Box for KONA 3 simplifies interfacing by offering a 19-inch, 1RU rack-mountable breakout box that attaches to the KONA 3 with just two cables. This option offers all the same inputs and outputs as the standard breakout cable, and can be easily rackmounted or placed on top of a broadcast monitor or editing desk. Additional functionality includes simultaneous XLR and BNC AES output, 2-channel RCA analog audio monitoring, and looping BNC Genlock reference connectors. Proper conn ed for a Betacam deck, HDCAM, DVCPRO HD, D5, D9, or even HDCAM SR.
Bekijk ook mijn andere interessante advertenties (zie onderaan).
--------------------------------------------------------------------------------------------------------
KONA 3/3x Features
The KONA 3 card supports the popular uncompressed SD or HD formats including 2K and Dual Link 4:4:4 HD-SDI formats. It captures uncompressed 10-bit and 8-bit digital video and 24-bit 48 kHz digital audio in Standard definition (SMPTE 259M), High definition (SMPTE 292M), and Dual Link High Definition (SMPTE 372M).
KONA 3 features include:
Dual Link
KONA 3 supports Dual Link 4:4:4 HD-SDI. KONA 3 Dual Link supports full-bandwidth 4:4:4 RGB at 10-bits (12-bit capable) for 1080i, 1080p, and 720p formats. KONA 3 can also convert between 4:4:4 and 4:2:2 formats for Single Link HD-SDI output.
KONA 3 Workflow
The KONA 3 path allows you to go straight from telecine to disk with 2K media eliminating the steps of using tape stock and then digitizing those tapes for the nonlinear editor. KONA 3 capture from 2K telecine directly creates 2K DPX, QuickTime, Cineon, AVI, TGA, TIFF, or BMP files. Material can be played out at 2K via HSDL (High Speed Data Link) at 15 fps. KONA 3 allows 2K files to be viewed on HD 1080 24P-supported video monitors. This 1080 HD playout can also be down-converted to SD in realtime, giving the 2K DI pipeline a solution for multi-format video playout of 2K material. By generating 2K files directly from a Telecine in a multitude of file formats and bit- depths, you have files available for use on any system and at any stage in production. A colorist, effects artist, and editor can immediately use the files. KONA 3 supports any popular uncompressed SD or HD format, including Dual Link and 2K and captures and plays back uncompressed 10-bit and 8-bit digital video. KONA 3 also of 10-bit broadcast-quality featureshardware-based up-, down-, and cross-conversion to and from HD.
KONA 3 is available in two models. KONA 3x uses the PCI-X 133 interface while KONA 3 is a 4-lane PCI-express bus card. The two cards are identical in features and video and audio connections and use the same optional K3-Box breakout box.
Broadcast-quality Conversion
KONA 3 features full 10-bit, broadcast-quality, SD-to-HD up-conversion, HD- to-SD down- conversion, SD and HD cross-conversion, and automatic HD/SD 12-bit component analog output. The quality is identical to AJAs stand-alone products and all functionality is hardware-based making it available all the time on digitize or playback. KONA 3 offers hardware-based 1080-to-720 or 720-to-1080 cross-conversion further streamlining dailies and deliverables creation at true broadcast picture quality in realtime. For maximum flexibility, hardware-based aspect ratio conversion can be applied to standard definition capture and output.
Video + Key SDI output
This feature is available on the output settings in Machina, After Effects, and Premiere Pro. To use Video + Key, set the SDI-1 Output to Video + Key (V) or Video + Key (K). The SDI-2 then output automatically changes to the complimentary setting.
Note: Video + Key is limited to 8-bit RGBA files.
KONA 3 Audio
KONA 3s extensive audio support makes installation simple, working with 8-channel 24-bit 48 and 96 kHz AES audio via XLR (balanced) connections, and 16-channel embedded 24-bit SDI/HD-SDI audio (capture and playback). KONA 3 also features high-quality input sample-rate conversion on AES inputs, which eliminates the need for audio source synchronization.
KONA 3 I/O
KONA 3 offers two HD/SD SDI inputs and outputs and a component analog output, each independently switchable between HD and SD (SD analog can be configured as composite). For example, if you are working in HD, you can have simultaneous HD-SDI, SD- SDI, and HD or SD component analog output. Using KONA 3s always-available format conversion features, monitoring can be as simple as a single composite monitor for both SD and HD projects. Dual Link can be monitored via Dual Link HD-SDI outputs, Single Link HD- SDI, or HD component analog. When you plug in KONA 3s breakout cables they automatically configure. For SDI video, the card features two HD/SD inputs and two outputs for Single or Dual Link, one connection for Genlock input, and three for HD/SD component analog video out. Also included is a 9-pin D connector for RS-422 machine control. The SDI inputs and outputs use a separate cable with special mini-BNC connectors on one end and full-size BNCs on the other for ease of connection and superior reliability. The K3-Box for KONA 3 simplifies interfacing by offering a 19-inch, 1RU rack-mountable breakout box that attaches to the KONA 3 with just two cables. This option offers all the same inputs and outputs as the standard breakout cable, and can be easily rackmounted or placed on top of a broadcast monitor or editing desk. Additional functionality includes simultaneous XLR and BNC AES output, 2-channel RCA analog audio monitoring, and looping BNC Genlock reference connectors. Proper conn ed for a Betacam deck, HDCAM, DVCPRO HD, D5, D9, or even HDCAM SR.